The Photograph

Here my mother, who must have been

in her early forties, sits on a stone ledge

at Fort San Pedro overlooking the Guimaras Strait.

The sun must have been strong, as she smiles,

trying not to squint against the glare,

as her left arm holds my then six-year-old brother   

close. There must have been a strong wind, too,

as her hair is ruffled, as thick white clouds

seemingly scud across the sky,

almost hiding the Cross across the waters.

I can almost hear the amused,

chortled laughter of my brother,

his left hand a blur as he makes

a movement, while his right arm

curves gently around my mother’s neck.

They are framed gracefully, asymmetrically,

mother and son occupying the space

to the right, a third of the whole picture.

To the left is a rocky pier, further out

a docked, interisland ship.

Did she have a premonition then of what

would happen to him, hence the tight clasp

of her hand on his hips? How could she have

understood the strange ways in a far-away land,

when (oh, how could it have happened?)

he died alone so suddenly, the news

coming to us like a thunderclap

in a clear sky, sending us reeling like

unmoored ships in a sudden maelstrom

in the seas? Did the big Cross on the mountain

across the sea listen to his prayers

as my brother battled his personal demons

until the end? Can we grow any stronger

than this?

I put the small picture back on the shelf

where a little dust had gathered. I touch their faces again

ABOUT THE AUTHOR

Alice M. Sun-Cua
Alice M. Sun-Cua
Alice M. Sun-Cua (b. 1955) is a poet, travel narrative writer, literary translator, and a practicing obstetrician-gynecologist. Her latest books include Nada, a Spanish novel by Carmen Laforet translated into Hiligaynon, and Golden Kumquats in Trieste and other Travel Narratives. She was a recipient of the UMPIL Gawad Pambansang Alagad ni Balagtas Award for the English essay in 2018.

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