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Rosa May M. Bayuga

Rosa May M. Bayuga writes for a living and for the love of writing. She has won the Palanca awards and the National Commission on the Arts and Culture Writer’s Prize for her fiction. She explores the “dark side,” whenever she can. She cares for cats and roses, talks to long dead and dying stars, and writes when her spirit compels her to do so.
Philippines Graphic Reader

Ninay and the Spirits

The summer Ninay turned ten, her elder sister told her that she should learn to help around the house. Housework should be done the...
Fiction

THE EXILE

It was Christmas break. Susie and I had all the time to do whatever we wanted to do. The one thing we had long wished for, since her uncle told us the man’s story, was to see the bearded exile who lived in the house across our homes. The front of the exile’s house faced our front door. Its back side faced Susie’s huge window in their house along the bay.

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Dulaang UP commemorates Rizal’s death with back-to-back stagings of the Nat’l hero’s novels

Dulaang Unibersidad Pilipinas’ 49th Theatre Season echoes Dr. José Rizal’s call for interventionist action with the theme, "Paano Umalala nang may Pag-alaga?" This milestone season tackles the urgent question of how a society remembers its past and protects its collective memory with radical care, especially in an...

UNIQLO celebrates 70 years of Philippines–Japan Friendship through art 

The commemorative installations crafted with sustainable components are inspired by Japanese design, reinterpreting Philippine landscapes and cultural icons VIA GRAPHIC PLUS | Manila, Philippines – For 70 years, the Philippines and Japan have built a partnership rooted in shared values, cultural exchange, and a common commitment to improving...

When workday ends, painting begins

This front office manager finds artistic inspiration in Baguio When people think of art galleries, they often imagine spaces reserved for a select few—artists, collectors, critics, or those already familiar with the language of art. It is an assumption that can make exhibitions feel distant from everyday life. Yet...