As the first episode of the Philippines Graphic Literary Workshop (PGLW) slowly came to its conclusion on February 28, we knew that we had one more thing that we can offer our bright young fellows: a starting platform for their creative endeavors. Here,...
As the first episode of the Philippines Graphic Literary Workshop (PGLW) slowly came to its conclusion on February 28, we knew that we had one more thing that we can offer our bright young fellows: a starting platform for their creative endeavors. Here,...
As the first episode of the Philippines Graphic Literary Workshop (PGLW) slowly came to its conclusion on February 28, we knew that we had one more thing that we can offer our bright young fellows: a starting platform for their creative endeavors. Here,...
As the first episode of the Philippines Graphic Literary Workshop (PGLW) slowly came to its conclusion on February 28, we knew that we had one more thing that we can offer our bright young fellows: a starting platform for their creative endeavors. Here,...
As the first episode of the Philippines Graphic Literary Workshop (PGLW) slowly came to its conclusion on February 28, we knew that we had one more thing that we can offer our bright young fellows: a starting platform for their creative endeavors. Here,...
It was my first time, some three years ago, to attend the Manila International Book Festival (MIBF) at the SMX Convention Center in Pasay. I was with a good friend then. Metro Manila still carried the bite of the COVID-19 pandemic, and the...
In A Memoir Published In The Coffee-Table Book The Philippines: Spirit of Place (Department of Tourism, 1994), Gilda Cordero Fernando—short story writer, essayist, publisher, theater producer, collector of antiques (“with me you don’t say what’s new but what’s old”), visual artist with her own distinctive style, New Age guru and I don’t know what else—traced her roots to Pagsanjan, Laguna.