Iteration of a Theme’s Variation

End with everything. Keep nothing. Then own it all again.
Find a bad man on a good day. Lose a worse man,
then reclaim five friends fleeing him. Forsake to lose as if
your death discounted it, that your death depends on it.
Discard it like self-defense, like crashing a bike. Learn it,
master it. Gain money, gain time, gain your unalike mind.
Gallop ahead, abort saving others. Gain and
gain again measure, a father’s urn against a mother’s
rising sugar. Or slap your sister through the jail bars.
And ignore why your man’s not answering his phone.
Gain sleep. Gain religion. Gain your e-wallet.
Close your door. Listen: the first fast notes
of another Bini song. A child laughing. Listen:
a drunk woman is lauding the moon. She sounds like
your dead aunt, who, before she departed, lost her liver
to pride. Forget what’s not given can be taken;
what can’t be taken, will. That you can bet on with
gaining. Sure as sunrise and a replete bed. Gain
and gain again until it’s second nature. Losing
farther, losing faster. Lean on your closed door, listen:
The child is crying now. No, it’s the drunk woman again
in the street, come to her voice, exalting each visible star.

ABOUT THE AUTHOR

Mia Tijam
Mia Tijam
Mia Tijam is a Bicolana who’s published poetry, fiction, and nonfiction, and has been acknowledged as one of the writers and editors who have advanced Philippine Speculative Fiction. Among her recent endeavors are co-editing “UGBOS: Mga Rawitdawit sa Rinconada” for the Parwa Bikolnon series of Aklat Ulagad; and serving as lecturer-panelist in the 12th Saringsing National Writers Workshop in Camarines Sur. Her English translation of Anna T. Calixto’s “Kuminalpos an Silaod” for The Margins was nominated by the Asian American Writers Workshop for the Best of Literary Translations. Her book “The And That Was” is forthcoming from Rosarium Publishing in June, 2026.

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