The country’s best writers and cultural institutions paid homage this year to the 100th anniversary of the late National Artist Nick Joaquin.
Ironically, had Joaquin been around, he might never have allowed the tributes and accolades given in his honor. Or maybe, he would, but at great discomfort.
Said writer Jose ‘Pete’ Lacaba, “Sinasabi sa amin ni Nick pag dumadalaw kami sa mga burol ‘ayaw ko ng mga tribute-tribute. Ibalot niyo na lang ako sa banig, itapon niyo ako sa Pasig River.’ Pero tinatanggap din naman niya pag binigyan siya ng award [Nick would tell us whenever we were in a wake, ‘I don’t like tributes. Just wrap me in a mat and throw me in the Pasig River. But he still would accept every time he is given an award].”
Europe, the seat of everything that was grand, powerful, and prosperous, was caught in the teeth of the First World War, the year Nicomedes Márquez Joaquín was born on May 4, 1917. It was half a world away from a boy who would emerge half a century later as one of the greatest literary minds in a poor and exploited country still caught in its own, long drawn-out war of independence in 1917.
“Our sense ... of our country is a sustained act of imagination. From that vantage, it can be said that our writers and artists, who are men and women of imagination, create our country (italics mine). That is to say: they evoke those images of ourselves as we live life day and night, those images of ourselves which we share and by which we recognize our nativity. We are our own best interpreters of our history and culture because it is we who have lived through that history and created our own values by which we live.”
—National Artist for Literature Gemino Abad
It’s a four-year-old book of poetry—a slim book, all of 90 pages, with 55 poems published in 2022, ready to be read and absorbed.
And for English-proficient third-millennium Filipinos—whether aspiring for comfort or already living in ease—the images spun by 16 of the 55 poems hark back to a time beyond their consciousness.
That is why Jim Pascual Agustin’s Bloodred Dragonflies can be the metaphorical blood transfusion required to pump poignant, visual, and painful cells of old memory into the veins of the unconcerned and unaware.
It was the type of news that jarred the senses because it was the first time it happened in the country. Government officials called it an “unprecedented tragedy.”
On the morning of June 22 of this year, two students, aged 14 and 15, bypassed the security checks of San Jose National High School in Tacloban City.
One student carried in his bag a Glock 17 pistol, the other carried a .38-caliber revolver. At past 9 a.m. both opened fire indiscriminately inside the school’s crowded rooms and hallways. And then the shooting stopped, but not after killing three students and wounding 20 more.
Eight years ago, Rosario “Chat” Lachica, 58, made her first visit to the Libingan ng mga Bayani. She was there to pay her last respects to National Artist Nick Joaquin who died in his sleep on April 29, 2004.
“Our sense ... of our country is a sustained act of imagination. From that vantage, it can be said that our writers and artists, who are men and women of imagination, create our country (italics mine). That is to say: they evoke those images of ourselves as we live life day and night, those images of ourselves which we share and by which we recognize our nativity. We are our own best interpreters of our history and culture because it is we who have lived through that history and created our own values by which we live.”
—National Artist for Literature Gemino Abad
For decades, mining has occupied a complicated place in the national conversation, caught in a tug-of-war between the promise of economic growth and the cost of environmental degradation.
It was the type of news that jarred the senses because it was the first time it happened in the country. Government officials called it an “unprecedented tragedy.”
On the morning of June 22 of this year, two students, aged 14 and 15, bypassed the security checks of San Jose National High School in Tacloban City.
One student carried in his bag a Glock 17 pistol, the other carried a .38-caliber revolver. At past 9 a.m. both opened fire indiscriminately inside the school’s crowded rooms and hallways. And then the shooting stopped, but not after killing three students and wounding 20 more.
The 2019 Board of Directors and Officers of the Bank Marketing Association of the Philippines (BMAP) was recently inducted by BSP Deputy Governor and Head of Supervision and Examination Sector Chuchi Fonacier (6th from left) at the BSP Complex in Manila. Joining them was BSP Managing Director and Head, Inclusive Finance Advocacy Office and Financial Consumer Protection Department Pia Bernadette Roman Tayag (7th). This year’s BMAP directors and officers are (from left) President Mike Villa-Real (Veterans Bank); Vice President Mary Ann Ducanes (Chinabank); Secretary Charina Balanquit (UCPB); Treasurer Emmanuel Mari Valdes (RCBC); Auditor Janette Abad Santos (Robinsons Bank); Director for Industry Relations and Banking Code and Financial Inclusions Catherine Rowena Villanueva (Landbank); Director for Programs Aileen Lamasuta (BPI); Director for Publicity and Digital Marketing Mai Sangalang (Standard Chartered Bank); Director for Ways and Means Hannah Regina Lopez (BDO); Director for Membership Judith Songlingco (PBB) and Chairperson for Election Yayu Javier (Avanza, Inc.).
BMAP is the premier association of bank marketing and communication professionals in the country which aims to develop, support and implement programs geared towards the advancement of the professional skills and abilities of those engaged in the bank marketing profession. BMAP also seeks to create positive influence in promoting the interests of the banking industry as it responds to the challenges and opportunities presented by the changes affecting the financial markets. It currently has 57 members from financial institutions and associate members. To know more about BMAP, visit www.bmap.net or to become a member, email bmapsecretariat@gmail.com.
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